The Narnia Chronicles, a classic fantasy series by CS Lewis, begins when a little girl named Lucy accidentally tumbles through an old wardrobe (a closet on legs) to discover the magical land of Narnia. Narnia is peopled by fauns, dwarves, and talking animals, including Aslan the Lion. Lucy is soon joined there by her brothers and sister.
Over the course of seven books, the children have adventures, discover the history of Narnia, defeat evil, and generally become confident, experienced inter dimensional travelers. In the final book, The Last Battle, the children, now kings and queens, along with all the inhabitants of Narnia, repeating the cry of “Further up and further in!” race up a hill, to Aslan’s Country, and the Real Narnia. While there are many fascinating critiques of the series as allegory, it bears up as a marvelous adventure–as does Oriental dance.
Here are six ways that belly dance bears a striking resemblance to The Narnia Chronicles.
1. On the outside, it’s just a wardrobe. Many (if not most) of us come to belly dance attracted to the outfits and the sensual moves. For some of us , that’s enough. And that’s just fine. But there is so much more to the dance….
2. It’s bigger on the inside. Once you get past those outer trappings, you begin to discover that this little dance has a lot going for it. No matter how much you learn, there is always more to learn. No matter how good you get, you can always see how much better you can be. It is an art form in which the learning curve never flattens.
3. It develops confidence. Performing with no 4th wall, we learn to enjoy the audience, embrace our personal style, and handle mishaps with grace and charm.
4. We all become kings and queens. Belly dance is the ultimate in beauty. When we dance, we know we are golden. We radiate our majesty and create a bridge for the audience to a magical realm.
5. We defeat evil. Fear, anger, and grief are some of humanity’s most crippling emotions. Through dance, we transcend these emotions. Dancing clears the emotional landscape by allowing us to release our cares and those of the audience. Everyone’s misery is lifted for a time, everyone gets to feel the restorative wonder of joy and delight. These shots of goodness help us all to get through the bad times.
6. We become experienced inter dimensional travelers. Those of us who go through the wardrobe, who go further up and further in, discover a world of joy. Improvisation can bring us to the center of our souls, a place where time, self, and worldly concerns are suspended, where the joy of musical embodiment lifts us and the audience up and out of the every day. From this magical land, we return refreshed, refined, and glorious.
7. We reach the true dance, the one that exists outside of costumes, ego, and competition. We learn to dwell in a land of timeless beauty we can reach any time we close our eyes and go into the zone.
How do we do this?
How do we get through the wardrobe and into the dance? Just as Lucy did, we close our eyes and feel our way through. As we learn to let the music in through our ears and allow our bodies to respond intuitively in the moment, we become ever closer to the secret center, the soul of our dance (we will get into this in detail in the book).
Over time, and with practice, our improvisation confidence and endurance will improve, and so will our pleasure in dance. We are more easily able to go into a zone on stage. Audiences love the freshness and intuitive nature of our dance. We are all whisked above daily cares and into a realm of love and joy.
Another world is possible.
To discover it, check out Midnight at the Crossroads, now available for preorder!
All my love,