In our secret hearts, we come to this dance for transformation. We seek a magic carpet ride to our true self, our inner goddess, femme fatale, power and glory. We want this so hard it hurts. We cry at night for the loss of the beauty, freedom, mystery and adventure with which we were born. Life is hard, and it has taken its toll.
We come to this dance for redemption. To see ourselves in a new, truer, mirror, one that will shine back to us the beauty and joy hidden away in our souls.
This dance delivers. It delivers in spades.
Everything we crave awaits us inside this dance. All the joy, the beauty, the glory, hidden treasure waiting to be found. A secret blossom trembling on the brink. A fourth doorway, a portal to the Divine, hidden from sight—until we are ready to open it.
But we are afraid. Afraid of feeling our pain, afraid of shoveling through the shit of life to get to the treasure. Afraid there is no treasure. So we put on our hipscarves and copy empty movement for an hour a week, pretending we are beautiful. It is an epic tragedy.
How do we get through the fourth door?
Well, first we have to find it.
And then we have to make a few changes.
And that may take some effort.
Learning is hard. It hurts, like an unused muscle, newly awakened. We all want to have fun, but most of us also want to learn. How do we balance the difficulty of learning with the pleasure of the dance itself?
This dance flourishes within its cultural context. All of its wonderful, chaotic heterophony, micromovement, improvisation, social ritual, and feeling–these are not quaint traditions. They are the living breathing center of this dance.
Our dance is a magical doorway. It leads to a place within where we feel our beauty, dissolve trauma and stress, nurture our body and brain, feed our soul, and connect with the Divine. This is the nature of this dance. It is a magical transmission of wonder.
Wait, how do we magically transmit wonder?
The first step is to reclaim our own wonder. We have all been brainwashed into regarding ourselves with narrow eyes, alert for any flaws or ways in which we do not fit the proscribed vision of perfection. Alas, there are so many ways to miss the mark.
Let’s change the rating system. Let’s step back from perfection of form and the Platonic Ideal. Let’s step up to shared mystery and glory.
The wonderful Fahtiem once explained, “It’s not just a hip drop,” as she rolled her eyes, looking bored with her own movement.
“It’s a hip drop!” And she gasped, her eyes got big as her face expressed amazement. Suddenly the move transformed into wonder–the wonder we all felt once upon a time, the wonder that drew us to this dance.
What if every hip drop, every move, every moment of our dance were a testament to wonder? We feel and express the wonder so others can also see it, feel it, live it.
The fourth doorway awaits.
Will you walk through?
PS Last call for How to Create Dance Art
Oriental dance evolved for improvisation. Choreography can inhibit our ability to express our feeling from the music in the moment, to be different every time.
On the other hand, recorded music is the same every time. How to balance these conflicting influences?
Create Dance Art is the solution!
Check it out: http://CreateDanceArt.com
PPS Final free webinar on Sunday: Fast, fun, fabulous Group Dances that folks can remember and enjoy doing! Plus a special offer for Create Dance Art!
Click here: http://eepurl.com/bJETD9